PRESS IMAGES

THE PHILLIPS COLLECTION

Please contact Hayley Barton to request high resolution images.

Bonnard to Vuillard: The Intimate Poetry of Everyday Life


Pierre Bonnard, Le marabout et les quatre grenouilles (The Stork and the Four Frogs), 1889, Three-panel screen; distemper on canvas, 62 3/4 x 21 1/2 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Pierre Bonnard, Après-midi au jardin (Afternoon in the Garden), 1891, Oil and pen and ink on canvas, 14 3/4 x 17 3/4 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Pierre Bonnard, Scène de famille (Family Scene), From L’Estampe originale, no. 1, 1893, Lithograph printed in four colors, 22 3/4 x 16 in., The Phillips Collection, promised gift of Vicki and Roger Sant


Maurice Denis, Mère et enfant (Mother and Child), 1898, Oil on canvas, 18 x 15 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Maurice Denis, Les Musiciennes (Musicians), 1895, Oil on cardboard, 9 5/8 x 13 5/8 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Aristide Maillol, La Ramasseuse d’herbes (Herb Picker), 1925, Bronze, 6 x 4 x 7 1/4 in., The Phillips Collection, promised gift of Vicki and Roger Sant


Henri Toulouse-Lautrec, Cover for L'Estampe originale, Album I, publiée par les Journal des Artistes, 1893, Lithograph printed in six colors on folded wove paper, 23 × 32 5/8 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Paul Élie Ranson, Les lapins (Rabbits), 1893, Design for wallpaper; distemper on fabric, 23 5/8 x 29 1/2 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Paul Élie Ranson, Woman in Red or Woman with Cape (Femme en rouge or Femme à la cape), 1895, Needlepoint tapestry; wool on canvas, 59 x 39 3/8 in., The Phillips Collection, promised gift of Vicki and Roger Sant


Ker-Xavier Roussel, Le jardin (The Garden), 1894 (executed by Tiffany & Co. in 1895), Marbeled and stained glass, 15 1/2 x 23 5/8 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Félix Vallotton, Scène de rue (Street Scene), 1895, Oil on cardboard, 10 1/4 x 13 3/8 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Félix Vallotton, Le passante (The Passage), 1897, Oil on cardboard, 7 7/8 x 11 in., The Phillips Collection, promised gift of Vicki and Roger Sant


Édouard Vuillard, Intérieur au lit rouge ou La chambre nuptiale (Interior with Red Bed or The Bridal Chamber), 1893, Oil on board mounted on cradled panel, 12 3/4 x 20 7/8 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Édouard Vuillard, Mère et enfant (Mother and Child), 1901, Oil on cardboard, mounted on cradled panel, 20 1/8 x 19 3/4 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Édouard Vuillard, The Pastry Shop (La Pâtisserie), From Landscapes and Interiors (Paysages et intérieurs), 1899, Lithograph printed in seven colors on China paper, 15 3/4 x 12 3/8 in., The Phillips Collection, promised gift of Vicki and Roger Sant

Los Carpinteros: Cuba Va!


Los Carpinteros
It’s not Che, it’s Isabel, 2017 Aluminum, led lights
© Los Carpinteros
Courtesy the artists and Galerie Peter Kilchmann, Zurich

Los Carpinteros, Cachita, 2013, Powder coated aluminum, LED lights, © Los Carpinteros, Collection of Aaron and Barbara 

Los Carpinteros, It’s not Che, it’s Felicia, 2017 Aluminum, led lights, © Los Carpinteros, Courtesy of Marco Castillo


Los Carpinteros, It’s not Che, it’s Simón, 2017 Aluminium, led lights, © Los Carpinteros, Courtesy the artists and Galerie Peter Kilchmann, Zurich

Los Carpinteros, It’s not Che, it’s Eusebia, 2018 Aluminum, led lights, © Los Carpinteros,  Courtesy of Marco Castillo

Los Carpinteros, It’s not Che, it’s René, 2018 Aluminium, led lights, © Los Carpinteros, Courtesy of Marco Castillo


Los Carpinteros, It’s not Che, it’s Alfonso, 2018 Aluminium, led lights, © Los Carpinteros, Courtesy the artists and Galerie Peter Kilchmann, Zurich

Los Carpinteros, Retráctil (still), 2018, Single-channel HD video, sound, © Los Carpinteros, Courtesy KOW, Berlin, 17:06 min.

Los Carpinteros, Retráctil (still), 2018, Single-channel HD video, sound, © Los Carpinteros, Courtesy KOW, Berlin, 17:06 min.


Los Carpinteros, Retráctil (still), 2018, Single-channel HD video, sound, © Los Carpinteros, Courtesy KOW, Berlin, 17:06 min.

Los Carpinteros, Retráctil (still), 2018, Single-channel HD video, sound, © Los Carpinteros, Courtesy KOW, Berlin, 17:06 min.

Los Carpinteros, Retráctil (still), 2018, Single-channel HD video, sound, © Los Carpinteros, Courtesy KOW, Berlin, 17:06 min.


Los Carpinteros, Comodato (still), 2018, Single-channel 4K video, sound, color, © Los Carpinteros, Courtesy KOW, Berlin, 22:34 min.

Los Carpinteros, Comodato (still), 2018, Single-channel 4K video, sound, color, © Los Carpinteros, Courtesy KOW, Berlin, 22:34 min.

Los Carpinteros, Comodato (still), 2018, Single-channel 4K video, sound, color, © Los Carpinteros, Courtesy KOW, Berlin, 22:34 min.


Los Carpinteros, Comodato (still), 2018, Single-channel 4K video, sound, color, © Los Carpinteros, Courtesy KOW, Berlin,22:34 min.

Los Carpinteros, Comodato (still), 2018, Single-channel 4K video, sound, color, © Los Carpinteros, Courtesy KOW, Berlin, 22:34 min.

SELECTED IMAGES


Pierre-Auguste Renoir, Luncheon of the Boating Party, 1880-81, The Phillips Collection, Washington, DC, Acquired 1923

Milton Avery, Black Sea, 1959, The Phillips Collection, Washington, DC, Acquired 1965

Pierre Bonnard, The Open Window, 1921, The Phillips Collection, Washington, DC, Acquired 1930


Georges Braque, The Round Table, 1929, The Phillips Collection, Washington, DC, Acquired 1934

Jacob Lawrence, The Migration Series, Panel no. 1: During World War I there was a great migration north by southern African Americans., between 1940 and 1941, Casein tempera on hardboard 12 x 18 in. The Phillips Collection, Washington, DC Acquired 1942 © Estate of Gwendolyn Knight Lawrence/Artists Rights Society (ARS), New York

Paul Cézanne, Self-Portrait, 1878−1880, The Phillips Collection, Washington, DC, Acquired 1928


Honoré Daumier, The Uprising (L'Emeute), 1848 or later, The Phillips Collection, Washington, DC, Acquired 1925

Hilaire-Germain-Edgar Degas, Dancers at the Barre, 1880s–c. 1900, The Phillips Collection, Washington, DC, Acquired 1944

Willem de Kooning, Asheville, 1948, The Phillips Collection, Washington, DC, Acquired 1952


Wolfgang Laib, Wax Room: Wohin bist Du gegangen – wohin gehst Du? (Where have you gone – where are you going?), 2013, Beeswax, light bulb, The Laib Wax Room is supported by The Phillips Collection Dreier Fund for Acquisitions; gifts in memory of trustee Caroline Macomber; Brian Dailey and Paula Ballo Dailey; a community of online contributors; and a partial gift of the artist. Wax donated by Sperone Westwater, New York

Edward Hopper, Sunday, 1926, Oil on canvas, 29 x 34 in. The Phillips Collection, Washington, DC, Acquired 1926

Georgia O'Keefe, Ranchos Church, No. II, NM, 1929. Oil on canvas, 24 1/8 x 36 1/8 in. The Phillips Collection, Washington, DC, Acquired 1930


Esther Bubley, General Service Department, 30 Rockefeller Plaza, New York City, c. 1950s. Gelatin silver print, 9 3/8 in x 6 3/8 in. The Phillips Collection, Washington, DC, Gift of Cam and Wanda Garner, 2012

DOROTHY KOSINSKI, DIRECTOR


Dorothy Kosinski, Director

PHILLIPS EXTERIOR


Carriage House-Phillips Collection Center for the Study of Modern Art

Phillips Collection House-Front View

Hunter Courtyard

PHILLIPS INTERIOR


The Rothko Room

Sant Building gallery

Music Room

Archival Photos


1) Marjorie and Duncan Phillips in front of Renoir's Luncheon of the Boating Party (1880-81), ca. 1954. Photo by Naomi Savage

2) Duncan Phillips, founder of The Phillips Collection. Photo by Clara E. Sipprel, ca. 1922.

3) Duncan Phillips on a transatlantic journey, 1930s. Courtesy of The Phillips Collection, Washington, DC


4) The house at 21st and Q Streets, NW, ca. 1900.