Marking the Infinite spotlights the work of nine leading Aboriginal Australian women artists that asks us to consider the unity and diversity of our world.
The exhibition explores the role of Swiss-born artist Paul Klee in mid-20th century American art, shedding new light on important figures in American Abstract Expressionist and Color Field painting who adapted aspects of Klee’s art and ideology into their own development.
To Future Women is an interactive artwork that marks the anniversary of the Women’s March through the platform of art. Created by artist Georgia Saxelby, the project invites participants throughout America and beyond to write a letter to women in 20 years.
Focusing on the Phillips’s celebrated Luncheon of the Boating Party (1880–81) by Pierre-Auguste Renoir, this exhibition highlights the circumstances leading up to the creation of the painting and the artist’s diverse circle of friends who inspired it.
The Phillips Collection presents the first comprehensive survey in the United States of works by German artist Markus Lüpertz (b. 1941), who began painting in a postwar Germany dominated by American Abstract Expressionism and Pop Art.
A survey of drawings and paintings by George Condo, the prolific painter best known for his rich pictorial inventions, existential humor, and imaginative portraits that incorporate a hybridization of art-historical influences.
The 2017–2018 Art Links to Learning: Museum-in-Residence program at Turner Elementary School and Washington School for Girls culminates in an exhibition showcasing arts-integrated works created by students in grades K-8.
The 2017–2018 Art Links to Learning: Museum-in-Residence program at Turner Elementary School and Washington School for Girls culminates in an exhibition showcasing arts-integrated works created by students in grades K-8.
