Featuring approximately 30 of her richly textured and color saturated paintings and sculptures, this is the first comprehensive museum exhibition to consider the early work of Moira Dryer (c. 1957, Toronto, Canada; d. 1992, New York City). From her beginnings in the early 1980s until her death, Dryer pursued a line of work in dialogue with modernist painting and abstraction while in consideration of more contemporary themes. Before devoting herself full-time to painting, Dryer worked for years as a set designer for the avant-garde theater company Mabou Mines, an experience that influenced her painting and the way she spoke about her work. This exhibition considers Dryer’s development as her work progresses from recognizable theater references such as curtains and spatial representations to abstract portraits that begin to move toward sculpture. Dryer infused her works with a level of pathos that allowed her to play with stillness and animation, reference and abstraction, and real and represented space. The exhibition also includes a collection of notes, drawings, and photographs from the artist’s archive that provide a historical context firmly placing Dryer at the center of the conversation regarding painting in the 1980s and 90s.
The exhibition is organized by The Phillips Collection with guest curator Lily Siegel.
With lead exhibition support and a Curatorial Fellowship from The Andy Warhol Foundation for the Visual Arts.