Diversity and Inclusion

at The Phillips Collection

Opening the Doors for All


The Phillips Collection is committed to fostering an inclusive environment that encourages and values diversity in its staff, board of trustees, supporters, volunteers, audience, collections, exhibitions, and programming. Diversity enhances the institution's engagement with an increasingly broad spectrum of participants, and strengthens relationships within our community and beyond. Diversity promotes creativity and innovation, thereby increasing the institution's resilience and ability to embrace our ever-changing world.


Summer at the Phillips! FREE admission for 30 and under, May 29-September 2, 2018
The Phillips Collection is offering FREE admission for those 30 years and under, from Memorial Day through Labor Day. Includes admission to everything on view, including Marking the Infinite: Contemporary Women Artists from Aboriginal Australia and the permanent collection galleries. Present your government issued ID at admissions. Not valid in combination with any other offers. Offer not valid for Phillips after 5 and the June 21 Summer Housewarming Celebration.


A Note from Dorothy Kosinski, Director and CEO

Diversity and accessibility have long been absent from museums. The Phillips Collection is speaking up about how to lead the way to inclusion.

Art is a vanguard industry that takes pride in its role to represent progressive ideology and risk taking, and yet the management lacks the representation that is vital to the arts’ dynamism. A 2015 Andrew Mellon Foundation report on diversity in art museums reinforced what is obvious to anyone working in or affiliated with the industry: a preponderance of non-Hispanic white men dominate leadership positions. That says nothing of the lack of ethnic, religious, disability, sexual orientation, or geographic diversity at the executive levels or in Board rooms. The survey catalyzed a movement toward a more diversified art and museum world, and The Phillips Collection is a pioneer of that change.

Responding to the urgency of these challenges, I made it my personal responsibility to secure major funding that allowed us to demonstrate institutional commitment to full inclusion at every level. We’ve appointed a new Chief Diversity Officer, Makeba Clay, as part of our senior leadership team. Makeba is among the first chief diversity officers appointed to an art museum and, in her lead role, she will guide the Phillips forward in pursuit of our mission to serve a multiplicity of artists and audiences. We will establish paid internships and fellowships to help eliminate barriers to entry into the field, and provide a new cadre of young people with the training and skills to establish credentials. Further, we’ve restructured our recruiting practices for staff and trustees to create a more diverse pipeline of candidates and board members. 
 
The Phillips is striving to create an environment where stories of diverse audiences are shared. Since 2013, the Phillips has formalized a philosophy to acquire more works by largely underrepresented groups— including women, minorities, and members of the LGBTQ community. We recognize that this goes beyond an institution’s walls and that the success of this is also rooted in our ability to forge deep and lasting partnerships with external partners across sectors. For the Phillips, this means relevant programming, sustainable partnerships, and a better visitor experience.
 
Fellow institutions like the National Museum of African American History and Culture, the Museum of Latin American Art, the Legacy Museum and National Memorial for Peace and Justice in Alabama, represent strong commitment to progress. However, we cannot let our successes cloud our vision of the challenges that remain. It is increasingly important that museums provide a space where people can connect to one another across perspectives and experiences, and relate to their communities’ institutions. It is precisely in this atmosphere that the Phillips is committed to serving our current and future audiences, cultivating diverse artists and arts managers, and incubating creativity and creation. Our goal is to initiate the transformation of the arts industry in Washington so that it represents the true nature of the city. We challenge other art institutions to commit to opening up the doors to all and encouraging the next generation to pursue the arts.
 
Adapted from “How the Phillips Collection is diversifying the art world,” by Dorothy Kosinski, published in The Washington Post (May 18, 2018)

Resources and PUblications
Insights from American Alliance of Museums' Diversity, Equity, Accessibility, and Inclusion Working Group

2015 Andrew Mellon Foundation Art Museum Staff Demographic Survey

Come Color and Learn at the Phillips's New Campus

The Phillips Collection Announces First Chief Diversity Officer